Was this Epstein’s Actual Aim? Occult Rituals within the Epstein Information
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Was this Epstein’s Real Goal? Occult Rituals in the Epstein Files
Matt Morgan – June 10, 2026
Summary
The narrator argues that Epstein’s role as a government informant and his trafficking/money-laundering operations were merely cover for his true purpose: assembling a spiritually “charged” temple-portal of sacred objects to summon non-human entities through ritual sex, modeled on the 1946 “Babalon Working” performed by JPL co-founder Jack Parsons and Scientology founder L. Ron Hubbard. As evidence, he points to Zorro Ranch (bought 1993) sitting between Pueblo petroglyph sites and a Scientology titanium archive, the Little St. James temple being a near-replica of a 14th-century Aleppo bathhouse used to clean child slaves, a fake north-facing door with an externally-painted lock (“meant to keep something in”), and a collection including three pieces of Mecca’s Kiswah cloth and a stolen 1760 Catholic death bell. He frames this as a 600-year recurring template — citing Gilles de Rais (confessed to murdering 800+ children, hanged 1440), Catherine Deshayes and the Affair of the Poisons under Louis XIV, and Belgian Marc Dutroux — in which a central operator gathers consenting elites, abuse is ritualized and involves children, and every investigation is suppressed the moment it reaches the powerful.
Top 5 Key Topics
- The petroglyph collection and Zorro Ranch’s placement: The narrator cites January 2026 DOJ-released emails (dating back to 2001 and 2012) in which Epstein directed staff to gather Pueblo petroglyphs and bulldoze roads to “Indian ruins” for his New Mexico ranch. He claims the 1993 property, ~30 miles south of Santa Fe, was deliberately sited where the Pueblo tradition and the Crowley lineage meet, roughly 80 miles from a Scientology base storing L. Ron Hubbard’s writings on titanium plates.
- The temple’s occult architecture: He argues the Little St. James temple (completed ~2012) replicates the Mamluk-era Hammam Yalbugha bathhouse in Aleppo used to wash child slaves, deviating intentionally from the “music pavilion” plans submitted in 2010. He stresses the door is a painted fake with a lock on the outside facing north — the direction associated in Christian tradition (Jeremiah 1:14) with letting demons out or summoning evil in — topped by a Dome-of-the-Rock reference and Solomon’s pillars (Jachin and Boaz) in twisted occult form.
- The Crowley–Parsons–Hubbard lineage and Epstein’s books: The narrator traces the framework from Aleister Crowley (Golden Dawn, Thelema, the OTO) through Jack Parsons and L. Ron Hubbard’s 1946 “Babalon Working” sex ritual. He treats Epstein’s purchase in a single 2007 month of The Secrets of Western Tantra (by ninth-degree OTO initiate Christopher Hyatt) and Modern Sex Magick as proof Epstein knew this exact tradition.
- The “spirit battery” and collected artifacts: Invoking the magical “law of contagion,” he claims Epstein gathered objects from as many religions as possible to accumulate spiritual charge, intending to summon entities via ritual sex. Examples include three pieces of Mecca’s Kiswah cloth said to have been touched in prayer by 10 million Muslims, and the stolen 1760 “Lost Trampas death bell” used in Catholic funeral masses.
- The 600-year pattern and the “consent, not blackmail” thesis: He rejects the blackmail explanation — noting no record of Epstein deploying it — and calls it instead a “concierge operation” where shared depraved acts function as mutually assured destruction, with elites knowingly consenting (because, in occult belief, an entity needs invitation). He maps this onto Gilles de Rais (800+ child murders, hanged 1440), Catherine Deshayes’ poison-and-black-mass ring reaching Louis XIV’s court, and Marc Dutroux in Belgium, claiming every case was buried once it reached the elite clients on top.